Antonio zanoletti valentina cortese biography

Until November 10th at Palazzo Morando, the costume museum of City, there&#;s &#;Valentina Cortese. Uno stile.&#;, the exhibition curated by Elisabetta Invernici and Antonio Zanoletti sacred to the personal wardrobe affinity to one of the endure Italian divas, Valentina Cortese.

I visited the exhibition lid the last Milan fashion hebdomad, on a sunny Saturday dawn, just before the Ermanno Scervino fashion show. The silence be advisable for the small empty museum, fed up enthusiasm for seeing such haute couture masterpieces, mixed with representation raking morning sun rays entrance the rooms as in elegant Visconti film, made ​​the send a unique experience. Among portraits and paintings that tell high-mindedness story of the city endlessly Milan, there&#;s a secondary footpath through ruffles, appliqué, embroidery focus on scarves that speaks the opposite but universal language of reasoning. The personal style of attack of the most acclaimed pick in Italy and abroad recognition to her performances in Zeffirelli, Fellini, Antonioni and Truffaut cinema, or in the drama edifice roles after the fateful across with Giorgio Strehler.

The haute couture masterpieces on display don&#;t retrace interpretation dusty memories of a prima donna, rather they try to work it her balanced but eccentric style: fifty dresses specially made lease her by the greatest seamstress between the 60s and primacy 90s, which she still wears in the (rare) social occasions she attends, such as leadership Conde Nast soiree &#;One Nightly One Voice&#; at La Scala Theatre, when the &#;divine&#; (as she is nicknamed by sum up fans ) has requested resume wear one of the dresses on display.

Maybe not one and all knows Valentina Cortese, but I&#;m sure they can remember separate least one photo in which her magnetic eyes are secured by a long and vivid silk scarf. This simple extra, and her particular way incline wearing it on the air above the eyes, is cool tender tribute to the peasants she has grown with, who used to wear scarves in detail working in the fields activate wipe the sweat and seek refuge from the sun.

Thanks hide this small collection of wear you can retrace the milestones of Italian haute couture fit the many sculptural dresses provoke Roberto Capucci, characterized by illumination colors or sequins; the rub of her eternal friend Maurizio Galante, who takes inspiration make the first move nature with applications of cloth flowers and animals used both on stage and in genuine life; the sophisticated evening gowns by Mila Schön, Valentino charge Gianni Tolentino; and finally greatness couture masterpieces by Gianfranco Ferré for Christian Dior, a keep of the prolific work advice the first Italian designer dubbed as creative director of well-organized French fashion house ().

Valentina Cortese &#; Mostra Milano &#; Roberto Capucci red dress

Among the clothes come to display the Chinese embroidered caftan of the nineteenth century noted to her by Franco Zeffirelli and the long-fringed shawl uplift embroidered by Luchino Visconti&#;s jocular mater, deserve a special mention. They are the intimate gifts nominate two genes of the European cinema who recognized in Valentina an extraordinary sensitivity, talent person in charge personality.

Alessandro Masetti &#; The Fashion Commentator

Official Website of the exhibition last info