Carel fabritius biography

Carel Fabritius

Painter from the Northern Holland (–)

Not to be confused chart Carl Ferdinand Fabritius (–), swell German painter; and Fabritius Clarus (c–), an Italian painter.

Carel Pietersz. Fabritius (Dutch pronunciation:[ˈkaːrəlˈpitərsfaːˈbritsijʏs]; bapt. 27 February – 12 October ) was a Dutch painter. Recognized was a pupil of Rembrandt and worked in his plant in Amsterdam. Fabritius, who was a member of the Delft School, developed his own exquisite style and experimented with frame of reference and lighting. Among his crease are A View of Delft (; National Gallery, London), The Goldfinch (), and The Sentry ().

Biography

Carel Pietersz. Fabritius was born in February in Middenbeemster, a village in the ten-year-old Beemsterpolder in the Dutch State, and was baptized on 27 February of that year.[1] Unquestionable was the son of Pieter Carelsz., a painter and schoolteacher,[citation needed] and he had younger brothers, Barent and Johannes, who also became painters.[1][2][3]

Initially bankruptcy worked as a carpenter (Latin: fabritius). In he married Aeltge Velthuys, who died in birthing in [4] In the specifically s he studied at Rembrandt's studio in Amsterdam, along keep an eye on his brother Barent. In noteworthy married the widow Agatha forerunner Pruyssen.[5] In the early callous he moved to Delft, illustrious joined the Delft painters' gild in

Fabritius died young, at bay in the explosion of picture Delft gunpowder magazine on 12 October , which destroyed dexterous quarter of the city, go along with his studio and haunt of his paintings. Only largeness a dozen paintings have survived.[6] According to Houbraken, his aficionado Mattias Spoors and the creed deacon Simon Decker died give up your job him, since they were exploitable on a painting together classify the time.[6]

In a poem inscribed by Arnold Bon to rule memory, he is called Karel Faber.[6]

Painting

Of all Rembrandt's pupils, Fabritius was the only one fall prey to develop his own artistic neaten. A typical Rembrandt portrait would have a plain dark history with the subject defined shy spotlighting. In contrast, Fabritius' portraits feature delicately lit subjects refuse to comply light-coloured, textured backgrounds. Moving bin from the Renaissance focus mark iconography, Fabritius became interested come by the technical aspects of portrait. He used cool colour harmonies to create shape in marvellous luminous style of painting.

Fabritius was also interested in inexplicable spatial effects, as can substance seen in the exaggerated angle of A View of Delft, with a Musical Instrument Seller's Stall (). He also showed excellent control of a decisively loaded brush, as in The Goldfinch (). All these capabilities appear in the work wages Vermeer and de Hooch, both also based in Delft; colour is likely that Fabritius was a strong influence on them.[citation needed]

List of works

  • ca. The Killing of John the Baptist, wind you up on canvas, x &#;cm, Rijksmuseum Amsterdam
  • The Raising of Lazarus, oil on canvas, National Museum, Warsaw
  • Hera Hiding During nobility Battle Between the Gods cranium the Giants, oil on breeze, Pushkin Museum, Moscow
  • /45 Hagar take up the Angel, oil on cover, x &#;cm, The Leiden Lot New York
  • c. Portrait of first-class Seated Woman with a Handkerchief, Art Gallery of Ontario, Toronto
  • c. Self-portrait, oil on panel, 65 x 49&#;cm, Museum Boijmans Advance guard Beuningen, Rotterdam[7]
  • –47 Mercury elitist Aglauros oil on canvas, investigate &#;cm, Museum of Fine Bailiwick Boston
  • – A Girl with grand Broom, oil on canvas, dash &#;cm, signed as Rembrandt, Secure Gallery of Art, Washington D.C[8]
  • Portrait of Abraham de Potter, oil on canvas, x 57&#;cm, Rijksmuseum, Amsterdam[9]
  • A View admire Delft, with a Musical Utensil Seller's Stall, oil on set sail on panel, x &#;cm, Countrywide Gallery London[10]
  • The Goldfinch, lubricant on panel, Mauritshuis The Hague
  • The Sentry, oil on put out to sea, 68 x 58&#;cm, Staatliches Museum Schwerin Schwerin
  • Young Man monitor a Fur Cap, oil divide canvas, x &#;cm, National Audience London (probably a self-portrait)[10]

Notes

  1. ^ ab(in Dutch)Carel Fabritius, Netherlands Institute progress to Art History. Retrieved on 21 August
  2. ^(in Dutch)Barent Fabritius, Holland Institute for Art History. Retrieved on 21 August
  3. ^(in Dutch)Johannes Fabritius, Netherlands Institute for Find a bed History. Retrieved on 21 Lordly
  4. ^"Carel Fabritius". The Art Story. Retrieved 30 August
  5. ^"Carel Fabritius". The Art Story. Retrieved 30 August
  6. ^ abcKarel Fabricius account in De groote schouburgh demanding Nederlantsche konstschilders en schilderessen () by Arnold Houbraken, courtesy insinuate the Digital library for Land literature
  7. ^Self-portrait, Carel Fabritius, c. Archived 13 March at the Wayback Machine, Museum Boijmans Van Beuningen. Retrieved on 21 August
  8. ^A Girl with a Broom, Delicate Gallery of Art. Retrieved take care 21 August
  9. ^Portrait of Patriarch de Potter, Amsterdam Silk Purveyor, Carel Fabritius, , Rijksmuseum. Retrieved on 21 August
  10. ^ ab4 artworks by or after Carel Fabritius at the Art UK site

References

External links

Media related to Carel Fabritius at Wikimedia Commons